Christopher Finkelmeyer is a world-class pianist whose non-conformist approach to thepresentation of serious classical music shatters all barriers between audience and artist.

Born in Wisconsin, he began his professional career at the age of 8. While still astudent at Northwestern University, the Milwaukee Symphony Orchestra honored him with anunprecedented invitation to perform the Rachmaninoff #2 c minor concerto. Hisundergraduate degree complete, he entered The Juilliard School under the tutelage of AdeleMarcus. Later, while competing in the International Busoni competition, he was noticed byrenowned pianist, Paul Badura-Skoda, and was invited to study with him at Vienna's famedHochschule für Musik. He completed his graduate studies at Ohio State under celebratedpianist, Earl Wild.

A critically acclaimed soloist, his domestic appearances include Carnegie Hall, ArizonaSundome, Interlochen, the Chautauqua Institution, and the Ravinia Festival. He maintainsan active interest in the development of American music and regularly features new andrarely heard works in his performance schedule.

In a world of great musicians, however, the thing that sets him apart is that he isalso a great performer. His unique combination of astonishing musical expression, humorand serious reflection has won the hearts of audiences throughout Europe, the U.S. andMexico.

Says he, "Concert audiences rightfully expect their ears and minds to besatisfied. The general public wants the same. But stuffy performers and pretentiousprograms have frightened them away. Just because you listen to Sinatra, Dave Matthews,Beck, or L.L. Cool J doesn't mean you're not allowed to enjoy the classics."

2. What is Un-Stuffed?
Un-stuffed is a style of programming Christopher Finkelmeyer developed to fulfill hispersonal mission: "To bring the world's great music to a level ofunderstanding that encourages people of all interests throughout our community to explore,enjoy and enrich their lives by it."

3. How does it work?
To achieve the most direct audience communication, Finkelmeyer dispenses with the usualformalities associated with recitals. He appears on the stage in casual clothing andspeaks directly with the audience throughout the performance, sharing both the serious andcomical sides of music and the composers who create it.

4. What kind of music does he play?
Although an amusing novelty piece is always included, the program centers around seriouspiano virtuoso repertoire. And despite the fact that it is not "watered-down" toa "Pops" level by any means, new audiences are delighted by the familiar tunesthey can hear in the transcription selections.
Sample repertoire:
Liszt's Liebestod, Dante Sonata & Faust Waltz,Schumann's Symphonic Etudes, Schulz-Elver's Blue Danube,Rzewski's North American Ballads, several Wild/Gershwin andWild/Rachmaninoff transcriptions, and the Ginestera Dances

5. What kind of audiences does he attract?
Traditional audiences are attracted to Finkelmeyer's programs because he maintains thehighest standards of artistic and technical integrity. These more sophisticated audiencesare drawn by the new and rarely performed works he includes in Un-Stuffed.

The non-traditional audience is first attracted by Finkelmeyer's youthful appearanceand un-assuming, cordial manner. Once the concert begins, however, they are captivated bythe sheer beauty of his playing and his astonishing technical abilities.

6. What are the technical requirements?
Because of its informal nature, Un-Stuffed plays well in all kinds of venues. Itsrequirements are few: a 9 ft grand piano of superior quality tuned and voiced for theconcert, and a body microphone. Virtually no additional set up is required.

7. What Residency services are available?
Concerto performances with orchestra; Solo guest appearances; local Promotionalappearances, interviews etc.; Chamber music performances with local musicians; LectureRecitals; Master Classes; and Community Outreach demonstrations developed and designed tomeet the special needs of your community

8. What does it cost?
Because of its uncomplicated nature, presenting Un-Stuffed is extremely cost-effective.Artist fees are based on the number of performances and/or residency activities required.

9. What kind of administrative support is provided?
We work directly with you from the time of booking. We maintain extended office hours and are on hand to coordinate all the details of the performance, advertising and promotional efforts.

10. How do I book?

Booking